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Full video: "I Whacked Him One" Meet David Bowie's Album Cover Painter

Course: Creativity, design and technologySection: Bowie, friendship and album artSubtitles: en

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207 subtitle cues

0:00

I got so enraged just walked up to David

0:02

and just whed him one and a few days

0:05

later he got rushed barfield's Eye

0:07

Hospital I all fair and Love and War all

0:09

that once you know it was okay as long

0:11

as it was true but it wasn't meet George

0:13

Underwood a talented painter artist and

0:17

lifelong friend of David Bowie not only

0:19

were they close friends but George also

0:22

collaborated with Bowie leaving a mark

0:24

on both their careers and lives we were

0:27

9 years old uh enrolling for the Cubs

0:30

it was the 18th Bromley Cubs and Scouts

0:33

well we had similar interests we used to

0:35

hang around together all the time joined

0:37

at the hip as they say how do you say

0:39

Bowie Bowie Bowie it is Bo that's how

0:42

David originally uh pronounced it of

0:45

course it's taken on so many different

0:48

versions now I think uh Bowie is how

0:50

David originally intended it David Bowie

0:53

was iconic for many things music fashion

0:56

boundary pushing art and his unique eyes

0:59

one blue the other appearing Brown

1:02

contrary to popular belief David wasn't

1:04

born like this it was George who gave

1:06

Bowie his striking look the result of a

1:09

Teenage scuffle over a girl called Carol

1:11

basically there's a girl that we both

1:13

fancied and I said to David you know how

1:16

should we chat her up I'll have a party

1:20

and uh I invite her along my mom and dad

1:23

were going to go out that night my dad

1:24

had bought a few beers and everything

1:26

the boys start coming in bottles of gin

1:29

in their hand right everyone was drunk

1:31

by about halfast 8 uh including David

1:34

who was absolutely ratted can I say the

1:39

FW my mom goes up to me and says David

1:42

CH like a

1:45

coffee

1:48

go I've never said that to my mother

1:50

it's terrible anyway I started saying to

1:53

Carol I said I'm sorry about the party

1:54

it's got a bit out of hand what about

1:56

meeting up next week you know she said

1:58

yeah all right well I me meet you down

2:00

there at our 7 I got a phone call David

2:03

saying yeah she can't meet you she do

2:05

want to go out with you she wants to go

2:06

out with me I thought oh well I suppose

2:10

all fair and Love and War all that once

2:11

you know it was okay as long as it was

2:13

true but it wasn't I went down the club

2:15

a bit later and her friend says Where

2:18

Have You Been Carol's been waiting for

2:19

you for over an hour and I was seething

2:23

so the next morning I was telling my

2:24

mate about this on on the Bus David was

2:28

in the front of the bus and I could over

2:29

hear him saying about this girl he's

2:30

going out with the George wanted to go

2:32

out with I got so enraged when the break

2:35

time came along I just walked up to

2:36

David and just whacked in one and uh I

2:39

must have hit him in my ring or

2:40

something happened a few days later he

2:42

got rushed barfield's Eye Hospital but

2:45

it all ended out okay because we were

2:48

still friends and later on he said I did

2:51

him a favor because of this strange look

2:54

he had in his eye you know it gave him

2:56

that enigmatic look I think yes cuz the

2:59

pup doesn't uh dilate like normal people

3:03

it gives the impression because of the

3:04

refraction of the light that it's a

3:06

different color but it's it's it's due

3:08

to the the damage to his pupil but

3:11

George's collaboration with David wasn't

3:13

limited to Childhood quarrels he worked

3:16

on several of Bowie's iconic album

3:18

covers including hunky dory and space

3:20

odity David did a little drawing for me

3:23

of all the things he wanted because this

3:26

explains the lyrics of all the songs the

3:29

space a see two Spacemen holding a rose

3:32

letter to her s boy from freil cloud

3:36

there's memory of a free Festival

3:38

signate committee they star man where

3:41

did he come from you might recognize

3:43

this couple they ended up in ashes to

3:46

ashes this one here we really have to S

3:50

owe most of this Brian Ward the

3:53

photographer who took this Photograph

3:55

and um David had seen a photograph of my

3:58

mother uh on my in my living room at

4:00

home which is a hand tinted photograph

4:03

and he brought this photo to me and said

4:06

can you tint it you know but like that

4:08

one in your in your living room you I

4:10

was really wanted to paint it rather

4:12

than color the photograph so I shared it

4:14

with airbrush artist and it gives it a

4:17

bit better texture and the same thing

4:19

for the rise and fall of Ziggy Stardust

4:22

Brian W's Studio was in headen Street

4:24

just just here and when David came out

4:27

with all his gear on I started to pour

4:30

with rain so you got inside the phone

4:31

box and that's how the phone box oh

4:34

there we are in the phone box once again

4:37

got I I got it airbrushed we never knew

4:39

how iconic the albums were going to be

4:41

obviously you never know at the time

4:44

David

4:45

knew always knew roughly what he I mean

4:47

roughly he knew exactly what he wanted

4:49

George's influence extended Beyond Bowie

4:52

he also designed for Mark Bolan of T-Rex

4:55

and the fix further solidifying his

4:57

place in the world of rock and roll the

4:59

first um album cover I did was actually

5:02

via David he phoned me and said it's

5:05

made of this it's got an album cover out

5:08

and he needs a cover done I think you'd

5:09

be good for it so I started talking to

5:11

Mark about what sort of cover you want

5:14

oh it was difficult getting any sense

5:15

out of him really it was all hey Cosmic

5:17

man you know it's all like everything

5:19

was very Cosmic so I I I came up with

5:22

this idea and that was um thanks to

5:24

David I got that and i' got a lot of

5:26

work via that George's art extends

5:29

Beyond album covers influenced by a

5:31

fantastic realism that evokes a

5:33

dreamlike quality I think I started

5:36

painting in oils in about 19 about 1973

5:40

yeah what I try and do in my paintings I

5:42

mean I invent the people you see and

5:45

they come out my

5:46

imagination and my style is probably

5:49

based on a traditional Rena sort of feel

5:53

but the pallet is pallette is muted

5:56

rather than bright and want the viewer

6:00

to have a look at this person that I'm

6:02

painting and think what are they think

6:05

what are they thinking about there's

6:06

something going on in their head which

6:08

is what they want to know about so the

6:10

narrative in my paintings is you know

6:13

make up your own mind what's going on

6:15

because I'm just leaving it open to you

6:18

so you don't use does that make sense

6:19

that does it does having known David

6:22

since his youth George witnessed his

6:24

Evolution into a global icon but did he

6:27

ever imagine Bowie's rise to such height

6:29

and how did their friendship shape their

6:31

collaborations the fact that he's

6:33

covered so many generations of fans that

6:37

that takes him doing he did that with

6:39

Grace I would like to thought thought of

6:42

as a friend of David's uh because I was

6:44

I mean we were friends for so long I

6:46

mean gosh people say that um you know I

6:50

was lucky to have known him no he was

6:53

lucky to have known me that's what I

6:55

say in 2016 the world Lost David to

6:59

liver cancer a sudden loss that rippled

7:02

through his millions of fans and his

7:04

close-knit circle of friends including

7:06

George he didn't tell me about it and I

7:10

think he was trying to sort of be kind

7:11

to me I had a feeling it wasn't quite

7:14

100% but when it came you know I shot

7:19

out of the blue and I was very upset

7:21

yeah still missing you know remember

7:23

when I think we were 65 or something

7:27

emailed me saying old men now eh and I

7:29

said yeah I said I said I look in the

7:32

mirror and I looking I see my father and

7:35

he said that's weird he said I look in

7:37

Mir I see your dad as

7:40

well today George pours his passion into

7:43

another cause close to his heart War

7:45

child a charity that provides support to

7:48

Children and Families in Conflict zones

7:50

around the world delivering life-saving

7:52

Aid to the most vulnerable when I was

7:55

asked to do a painting for war child

7:59

auction

8:00

I I immediately said yes it it it run a

8:03

a true Bell with me and I and and I'm

8:06

really pleased that I got

8:08

involved well when when the theme of um

8:11

was given to me which was um we like

8:14

dancing and we looked Divine which is a

8:17

line from Rebel Rebel I thought I've got

8:20

a painting I did in 2010 and this is the

8:24

paint a print of the painting I did

8:27

called um I

8:29

we love dancing iord it now nearly 30

8:32

years later that Spirit of giving

8:34

continues to inspire initiatives like

8:36

sound and vision carrying Bowie's Legacy

8:38

forward

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