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Full video: Living In Color, From Lisa Frank to Colombia's Rainbow River

Course: Creativity, design and technologySection: Unexpected worlds of colorSubtitles: en

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231 subtitle cues

0:01

[Music]

0:13

the reason why I chose us call more than

0:15

anything else is because underneath all

0:17

our skin is a skull

0:20

it's the universal image to everybody

0:24

the formative way they use artosis of

0:27

scholar desi traders who also nothing a

0:30

la Vida is salgan wave a young

0:35

[Music]

0:40

my name is butch locsin I'm a

0:43

contemporary performance artist here in

0:44

Los Angeles I were a skull mask and I

0:47

played with smoke grenades my word is

0:50

reflective of Mexican culture and

0:53

iconography and art work Maria saw a lot

0:56

of the photos that I was doing and she

0:58

wanted to actually collaborate on a

0:59

project and integrating her into what I

1:02

do has been really fun and successful

1:04

[Music]

1:05

Miami Maria there is a so unit ISTA

1:09

comments up in Pelican Athenian relative

1:12

impunity Nascimento solo kme plateau

1:15

bazooka maintain a me simple my Mustafa

1:18

mucho de los Muertos entonces cuando we

1:21

SWAT team a rock we there's the kosis

1:24

capoeira you tell Reza sir Cornell Maria

1:30

to me has been such a blessing because

1:33

now the characters the skeleton the

1:35

colors actually married to her and we've

1:37

been greeting like love scenes and

1:38

stories colaborate con el como que hace

1:43

una formal express army they develop

1:46

either not reform enough no Tomas

1:48

positiva I really like the David dead

1:51

holiday

1:52

it's not about celebrating someone's

1:55

death it's more about celebrating

1:57

someone's life my art working my

2:00

performance is kind of a little bit of a

2:01

reflection of that but even though I

2:03

kind of represent myself as like this

2:05

death character you know I'm very much

2:07

alive

2:11

me encanta lo que Pacho está siendo por

2:14

que pienso que si esta trend o es a

2:16

celebration a muchos lugar es on

2:18

la gente no no kono saz's tradicion es

2:21

mexicana SE Loa okay son

2:24

what I love about performance art is

2:26

honestly the brush that I get from

2:28

working with so many people you know

2:30

makes me want to go out there and create

2:32

some more and do something different lo

2:34

que estamos tratando the desert is n

2:38

computo exponent mas arte alguno algo

2:41

que nadie ha visto antes

2:44

[Music]

2:53

[Music]

3:08

people make assumptions all the time

3:11

so let's get the record straight if I

3:16

was a drug addict

3:18

how could I possibly have done all this

3:22

I'm Lisa Frank and this madness that you

3:27

see and all this excitement started with

3:31

me I know that you weren't comfortable

3:36

being on camera is there an element to

3:38

secrecy

3:39

well the secrecy has worked for so long

3:42

like I come out of the closet I don't

3:46

want to disappoint anybody what if I'm

3:48

not who they want me to be our look is

3:54

really been consistent for 30 years

3:57

and people have tried to tell me bright

4:00

colors are in you should do pastels and

4:03

it's not who I am we are entering the

4:09

vote that has all the original our

4:12

argument okay I better figure out how to

4:15

open it before you film it the room is

4:20

fireproof so that we don't use the

4:23

original art but look how bright

4:26

everything still is we were involved in

4:30

the big sticker craze in the eighties

4:32

then it went to school supplies because

4:34

a sticker is an inch to three inches so

4:38

it was more fun to get the art bigger

4:41

and you can see it says library sample

4:44

do not remove that means like it's

4:46

probably one of a kind in hindsight we

4:50

could have been even smarter like

4:52

keeping 12 of everything there are some

4:55

things I don't even have it was so

4:59

exciting because we were onto something

5:02

that no one else was really on to I mean

5:06

people thought I had horns coming out of

5:08

my head when I would suggest things

5:10

early on the buildings more than 300,000

5:17

square feet and at one time like every

5:20

Bay was filled up with drugs that was

5:22

shipping product out of here in the

5:26

beginning we probably had 30 artists at

5:28

one time unfortunately now we don't need

5:32

as many people in the art department

5:34

because things are much easier on the

5:37

computer so you now are doing only

5:40

licensing right now what we do is we do

5:43

the art work for a whole bunch of other

5:46

companies who are then making it and

5:48

shipping it I don't think I ever want to

5:52

be a manufacturer again that takes away

5:55

from Who I am and what I really love to

5:58

do is to do our work we want to round

6:04

out his face a little bit so he looks a

6:07

little cuter I've obviously learned a

6:13

ton over the years but in terms of the

6:17

artwork and the process I would say that

6:20

hasn't changed at all it was never about

6:23

making money it was about making good

6:27

product

6:28

[Music]

6:32

it's like my world is washed out and I

6:38

see fewer shades of color than most

6:40

people do so normal people see a million

6:43

colors I may see as many as a hundred

6:46

million my name is Wendy I'm a producer

6:49

at CNN and I am colorblind my name is

6:53

Maureen Seberg I'm a tetrachromats and

6:55

I'm an author tetrachromacy is the

6:59

presence of a fourth kun class in your

7:03

retina

7:03

if I keep naming my invisible colors

7:07

maybe I'll have my own Crayola box one

7:09

day when I was in kindergarten my

7:13

teacher called my parents because I was

7:15

coloring the leaves of my trees and the

7:18

trunks of my trees the same color

7:20

because I couldn't really see the

7:22

difference between green and brown the

7:24

only time it was ever overwhelming is a

7:27

paint contractor came to my house and

7:29

brought no fewer than 32 samples before

7:32

I was satisfied that it was a true beige

7:35

when I pick out clothes that's hard I

7:39

have been known to buy the outfit that

7:42

the mannequin is wearing because I know

7:44

that that goes together you don't want

7:46

to go clothing shopping with me because

7:48

the salespeople tell me but it matches

7:51

and I can only look at them

7:53

sympathetically and keep looking I never

7:57

think like oh if I weren't color blind

7:59

it would be so much easier to get

8:00

dressed in the morning it's just it's

8:02

kind of part of me I guess I'm a unicorn

8:04

or something

8:06

[Music]

8:14

[Music]

8:16

[Applause]

8:20

in many many different cultures the

8:23

rainbow appears as a symbol of hope

8:26

beauty love in many ways the rainbow

8:30

flag might be more important than ever

8:32

[Music]

8:35

our story begins in San Francisco in the

8:38

late 1960s young gay men lesbian women

8:41

were arriving from all over the country

8:43

and all around the world many of them

8:45

fleeing places where they were

8:47

experiencing incredible violence and

8:49

repression one of those men was Gilbert

8:52

Baker everyone was aware of Gilbert

8:55

it was extremely dramatic I think the

8:57

operative word would be flamboyant

8:58

that's Cleve Jones he wrote this book

9:01

when we rise my life in the movement

9:04

Cleveland Gilbert met his two young

9:06

activists planning the 1977 San

9:08

Francisco gay pride event back that is

9:11

called a freedom day we were all part of

9:13

a circle of activists who were talking

9:16

about the need for a new symbol that

9:18

would connect us all and one day Gilbert

9:21

told Cleve about an idea he had come up

9:22

with he showed me the drawings he'd done

9:25

and I saw the power of it right away

9:27

and each other had special significance

9:28

one color meant love another was

9:31

honestly I think he kind of made that up

9:33

after the fact it came to him as he said

9:36

from the sky with a team of volunteers

9:38

including Cleve Gilbert sewed and dyed

9:40

the flags in preparation for gay freedom

9:42

day

9:44

when those first flags went up these

9:46

enormous polls and the wind took them

9:49

and lifted them up against the blue sky

9:51

it was really breathtaking hilburn I

9:54

stood there and watched and we knew that

9:55

everybody that was there was looking up

9:58

at those rainbows and knowing at that

9:59

exact moment that this now would be our

10:02

symbol to take this beautiful symbol

10:05

from nature and say this is the symbol

10:08

of these people who were called

10:09

unnatural who were required to live in

10:11

the shadows he really devoted his life

10:14

not only to making flags but banners for

10:35

a few weeks between the wet and dry

10:37

seasons this seemingly ordinary looking

10:40

River bursts to life with color

10:48

[Music]

10:50

Carnot crystallis is located in Mehta

10:53

Colombia when the conditions are just

10:56

right an endemic aquatic plant species

10:58

that lives in the riverbed blooms

11:00

creating a brilliant show of red color

11:03

often with hints of yellow orange green

11:06

and blue because of this locals refer to

11:10

the river

11:11

as the liquid rainbow or the river of

11:13

five colors before 2009 Meccano

11:18

crystallis was closed off to the public

11:20

due to guerrilla activity in the

11:22

surrounding region today the river can

11:25

be reached by horseback or by foot and

11:27

is accessible under the guidance of

11:29

local tour guides although this

11:31

phenomenon only happens for a short

11:33

period of time each year this living

11:36

rainbow leaves a lasting impression

11:39

[Music]

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