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syllable as being stressed you're right F after director the second syllable very low in pitch flat and quick half what about the word nothing again it's the first syllable ing...
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syllable as being stressed you're right F after director the second syllable very low in pitch flat and quick half what about the word nothing again it's the first syllable ing...
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English subtitles
9:00
first
9:00
syllable as being stressed you're right
9:02
F after director the second syllable
9:07
very low in pitch flat and quick half
9:11
what about the word nothing again it's
9:15
the first syllable
9:16
ing endings even though this isn't an
9:20
ING verb will be unstressed nothing nah
9:25
nah nothing
9:27
after this nothing after this nothing
9:33
after this nothing no plans no plans
9:37
nothing reduces in this phrase I'm
9:39
really hearing this as two different
9:41
stressed words they're both one syllable
9:43
no plans no plans no plans no plans no
9:48
plans no plans no plans no plans should
9:52
we get dinner
9:53
yeah should we get dinner one of the
9:56
things I noticed is I'm dropping the D
9:58
sound should we should we should we get
10:00
should we get should we get that's
10:03
helping me say this less important word
10:05
even faster should we get dinner should
10:09
we get dinner should we get dinner
10:10
should we get dinner I noticed that the
10:13
T here is a stop T I don't release it
10:15
it's not get dinner it's get get get get
10:19
dinner get
syllable as being stressed you're right F after director the second syllable very low in pitch flat and quick half what about the word nothing again it's the first syllable ing...
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7 video lessons
8 video lessons
7 video lessons
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